One thing that is often overlooked by most owners of studio recording (from the smallest home studio the largest multi-room system) is like the screens are located. You can make a big difference in the frequency balance and stereo field, and although these things must be addressed before serious listening, it is usually only later abandoned when something sounds good. Here are some things to experience what it takes toperfect location for your room. Do not be surprised to see that the speakers have very good breath before suddenly feel alive.
A. Go the distance between the screens.
If the screens together to close the stereo field is lubricated with a clear spatial definition. If the screens are too far apart, the focal point or "sweet spot" too far behind you and you feel left or right, but notLet the two together. One rule is that people should be farther as the distance from the listening position is that if the four feet away from the screen, and then start moving it 4 feet from each other .. You can adjust in or out there.
B. Check t he corner of the monitor.
Angle will be wrong again smearing the stereo, which means ultimately there is a tool for the lack of definition to listen to. Thecorrect angle is strictly determined by taste, some prefer a mixer with screens inclined to engage directly, while others prefer to place the node (the point where the sound of the speakers shows the convergence) about 3-12 inches behind them to take some of the "hype" the speakers (if any).
C. Check your eyes screens are installed.
Shield, which is mounted directly on top of one meter from a bridge consoleor on a desktop computer without decoupling is subject to comb filter effects, especially on the low side. This is the sound moves through the console or desktop, and then through the floor and reach your ears before the sound directly from the monitor through the air (because it is nearest the materials, and travel speed), causing the cancellation phase. It may be more or less severe depending on where the speakers are mounted directly on the meter bridge or metal desk or mounted on apiece of carpet or similar material to the metal bridge meter (very popular). The best way to decouple the monitor is the same method when mounting the head in September armed guards nearby fields with half or 3 / 4 "piece of open cell neoprene (rubber) and the connection will not be a problem.
D. The position of the speaker to control the display.
Most mixers prefer that the speakers point of two or three-way system to the outside world,expansion of the stereo field like that. Sometimes, the speakers on the inside of paper work, but usually a smearing of the stereo. Experiment with both, but because you never know.
E. Check t he desktop or the console itself.
Corner of the desktop or console, type of material used for panels, buttons, keyboards and switches, the type of paint and the size and composition of the armrest all make a difference in sound reflectionsIf the phase noise near the back fields at the top of a desk or a meter bridge is unacceptable. and try to pass them to you with charges or have to stay behind the desk or console (do not forget to decouple them.)
A near-field monitors can sometimes get a bad rap due to efforts of these questions, a little 'testing is in order before we can say that a screen does not work for you .. You will be surprised that a difference of one centimetersometimes can do.

