music industry are all frustrated with the current crisis and the lack of a copyright system that slowly drowned entertainment. Although such a situation, a legal researcher in Cambridge, Massachusetts, has proposed a radical plan of a system that claims will pay the artists and the press release for more digital information to people who yearn for it. But convincing both the music industry and movie industry in favor of the idea seems far-fetched orat least in the foreseeable future.
Instead of regulating the flow and not the copyright system, spoke at Harvard Law School Professor Terry Fisher more about his bill Program, a three-day event sponsored by the School Berkman Center for Internet and Society.
FISHER benefits of alternative compensation pay system based on artists' popularity in their music. For this system work, the directory of artists based first copyrightthat could help to monitor the times when the work is downloaded. The proceeds of the tax, like the Internet and sales of MP3 players money will ultimately be used to pay the artists create.
The RIAA or Recording Industry Association of America, responsible for brands is the use of copyright music lovers to sue for infringement of thousands of people since September. But according to Fisher, over 60 million peoplecontinues to be shared via to-peer music-peer networks. In line with this, Fisher said that his successor model will give music lovers for music more for less money, without fear of legal action against them by the RIAA. So it would be better all the artists in the past in the pay system.
While music industry executives have a particular interest in the idea shows Fisher said there have been many more importantProspects for the production of this system in other countries. To demonstrate this, Fisher said that Brazil is interested in the idea and is already building a database of digital music, an action supported by the country's Culture Minister, musician Gilberto Gil. If this system works successfully in Brazil for several years, the music industry in the United States still wants an alternative system of compensation more attractive.
But according to Fisher, United Stateswould be more inclined to take the idea of an optional version, which would require the involvement of fans of both musicians and music can be successful, and funds raised through the collection of subscription.
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